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The Performance Using Shakespeare’s original text, Clayton Jevne’s exciting performance combines various techniques (acting, puppetry, story telling) for a show that is both hilarious and gripping. One-Man Hamlet has played to tens of thousands in four countries! If you have thought Shakespeare dry and unappealing before, this just might be the show to change your opinion!
Clayton’s love for the Bard and his wild abandon combine to deliver a show suitable for everyone! One-Man Hamlet is offered in lengths ranging from 60 minutes to two hours.
“Amazing” “Ingenious”
“All the power of
a full production” “Incredible performance” “Mind boggling…piercing
insights” “The audience lapped
up the show” “An elastic man
with an enormous talent” “Clever and dizzying…hilarious…this
is your ticket” “Succeeds brilliantly…
bravura physicality and remarkable vocal modulations” “An actor whose
feel for drama is as acute as his comedic flair…amazing…superb” “A great Hamlet…incredible
one-man performance…Jevne can really act…gives Shakespeare
back some of the joy and zest it should have” “Like a peekaboo
into the fantastical imagination of a creative child at play…great,
original, dangerous work” “Wonderfully inventive…gutsy…an
astonishing show…Not-to-be-missed…leaves you wanting more”
Production Requirements One-Man Hamlet can be performed with a minimal amount of technical support. All props and set pieces travel compactly for easy touring and installment. The production adapts easily to a variety of performance situations from small intimate theatre spaces to large auditoriums.
The Performer Clayton Jevne has been at the head of Theatre
Inconnu, Victoria’s longest producing alternative theatre company,
since 1978. He also functioned for twelve years as Artistic Director,
General Manager, actor, director, and designer, for the successful annual
summer Victoria Shakespeare Festival. Clayton’s solo performances
have been seen in Scotland, The USA, France, Switzerland, Mexico, and
all across Canada. Clayton holds a BFA in acting, an MFA in directing,
and a PhD in developing an alternative actor training method rooted in
skill development theory. |
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