Heritage BC presented several awards that recognized excellence in heritage conservation at the society’s annual conference in Langley City on June 6, 2008. The annual awards ceremony celebrated the achievements of individuals, organizations, and businesses.

 

Outstanding Achievement Awards, the highest level of recognition, were presented to:

 

Eric Pattison Architect and the Salvation Army, for the B.C. Electric Railway Depot Project, New Westminster

 

The Delta Heritage Advisory Commission, for the Delta Heritage Passport

 

Awards of Honour were presented to:

 

The City of Terrace, for the Rehabilitation of the Kwinitsa Foreman’s Residence

 

The BC Museum of Mining at Britannia Beach, for the Rehabilitation of Concentrator No. 3

 

Stantec Architecture and Pastoral Developments Ltd., for the Monaco Project, Victoria

 

The Ladysmith Maritime Society for the Ladysmith Maritime Museum

 

 Second Street Community School, Burnaby, for the “Roots in the Community” Heritage Banners Project

 

The Ruby Nobbs Award, for exceptional volunteer dedication, was presented to Pixie McGeachie, Burnaby

 

Contact: Rick Goodacre, executive director, rgoodacre@heritagebc.ca

  

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Outstanding Achievement Award - Eric Pattison Architect and the Salvation Army for:

the B.C. Electric Railway Depot Project, New Westminster

 

On September 21st, 1911, H.R.H. the Duke of Connaught, the Governor General of Canada, welcomed the assembled crowd to the official opening of the British Columbia Electric Railway Depot, the new headquarters for the interurban line in the City of New Westminster.

 

Designed by Samuel Maclure, one of the province’s most influential early architects, the new station displayed all the quality and hallmarks of an increasingly successful business in the growing economic and cultural centre of the Fraser Valley.  The two story, 36,000 square foot masonry building occupied the entire end of the city block bounded by Columbia, Eighth and Front Streets, the western gateway to the City’s downtown.  The Depot exhibited an unusual design feature:  the diagonal train concourse running from northwest to southeast through the building.  Tall arched windows arcaded along the exterior facades and the diagonal wall, enhanced by plaster banding, faceted keystones and curved window muntins.  The civic prominence of the station was reflected in the building’s impressive character and scale, and high quality of design and materials.

 

Almost 100 years later, the building sat all but derelict, unrecognizable after years of renovation and neglect. 

 

By the mid 1950’s and the end of Interurban service, its prominence as a major transportation centre had dissipated.  The Wosk Brothers purchased the building in 1954 for their appliance store, the first in a long line of commercial uses.  They hired architect Ross Lort of Vancouver, to convert the building and give it a modern character in the International Style.  He removed all historical elements and reclad the building in a two-tone stucco finish.  The original arched windows were replaced with aluminum and storefront glazing, with new sidewalk canopies.  The train concourse was closed and integrated into the building, the ceiling dropped from its 18-foot height, and the diagonal arcade wall mostly removed.  Over the next 50 years, several more minor renovations followed.

 

When the Salvation Army purchased the former Depot for a retail store in 2006, a decision was required regarding the treatment of the building.  Deteriorated timber piles had caused uneven settlement throughout, and many materials from past renovations were now at the end of their service life.  However, sufficient heritage fabric and historic documentation survived to prompt rehabilitation of the existing building with careful insertion of a contemporary commercial retail use.  The client was able to transfer the Depot’s unused allowable density to an adjacent property in return for funds to offset restoration costs.

 

The façade was designated the principal character defining element of the building, the inaugural year of 1911 was selected as the restoration period, while the overall project heritage objective was to substantially recall the original Depot and re-establish its prominence on Columbia Street.   The Conservation Plan included the removal of contemporary metal cladding, 1950’s stucco, metal windows, storefront and doors, as well as the large sidewalk canopies.  In order to recall the original massing, reconstruction of the raised roof parapets at the building corners was required, as well as the prominent feature bays on Columbia at street level.  Bricks were repaired and mortar joints repointed.  Cement plaster banding and galvanized iron cornices were reconstructed using expanded foam shapes with painted stucco finish.  Lighting matched from historic photos was installed. The windows were reframed to the original layout on both ground and upper floor.  However, steel beams now prevented the reconstruction of the glazed arches.  Instead, stucco panels were used to recall the arch form.   New storefront was installed at the original concourse opening along Eighth.  The train concourse itself became the primary interior heritage feature, of which five brick piers remained.  Contemporary finishes were removed, the remaining diagonal arcade wall reconstructed and the former 18-foot ceiling height re-established.

 

Once construction began on the facades, some practical considerations emerged.  Along Columbia Street and most of Eighth, the 1954 stucco easily detached from the underlying brick.  However, along the southern exposure, stucco removal proved to be too destructive. The solution was to acknowledge the 1950’s as a second period of historic significance, the height of business and urbanism along Columbia Street’s Golden Mile.  Stucco restoration on Front Street and part of Eighth proceeded, rediscovering Ross Lort’s design intent.

 

By returning a building of such notable business and architectural pedigree to a high degree of prominence and respectability, civic identity has been strengthened, street character improved and future heritage conservation work encouraged.  The Depot recalls the glory of past grand buildings and great architects and contributes once more to the historic character of the area and the economic activity of the downtown core. 

Outstanding Achievement Award - The Delta Heritage Advisory Commission, for:

The Delta Heritage Passport

 

The Delta Heritage Advisory Commission published the Delta Heritage Passport, Volume 1, in February of 2007, during Heritage Week.  This publication is intended to be the first in a series of guides to Delta’s historic sites. Volume one covers sites that are marked with a plaque or sign, in Delta’s three principal communities:  Ladner, North Delta, and Tsawwassen.  Most of the plaques date from Delta’s 1979 centennial, while the interpretive signs, sponsored by community groups or the District, are more recent.

 

For each of these 19 sites, the passport, published in a pocket-sized format, includes historic and current photos, a “way-finding” map, and a brief summary of the site’s historic significance.  Some places are historic buildings, such as Trinity Lutheran Church in Annnieville.  Others tell the story of neighbourhoods, local industries, and the ethnic groups that settled there, looking for employment.  There are also early trails and First Nations sites.

 

The Commission continues their work on Delta historic sites, and plans to release Volume II of the Passport series this year in conjunction with a new display at the Delta Museum and Archives.  This second volume will focus on the physical and social history of the River Road East area, the communities of Annieville and Sunbury, and Crescent Creek.  One the motivations for selecting this area of Delta was to gauge the potential impact of the South Fraser Perimeter Road on built heritage and cultural landscapes.

 

The Delta Heritage Passport series is available to residents and visitors at the library and community centre locations, municipal hall, and the museum.  A digital version is also available on line.

 

The Delta Heritage Passport project is a textbook example of a simple but well conceived and executed project driven by a volunteer group.  The Passport gets the job done, and holds potential for future expansion and related spin-offs.   It is a practical and very useful tool to help the Commission fulfill its mandate to increase public awareness and appreciation of history and heritage, and a real asset for the community.

 

Award of Honour - The City of Terrace, for:

The Rehabilitation of the Kwinitsa Foreman’s Residence

 

The City of Terrace has earned an Award of Honour for a project that has given new life to an important piece of regional railway heritage, and a boost to this community’s commitment to create an effective heritage conservation program.

 

The Kwinitsa Foreman’s Residence was originally located at Kwinitsa, about 40 kilometres to the west of Terrace, half way to Prince Rupert. The station there was originally part of the Grand Trunk Pacific Railway system, completed in 1914, and latterly the Skeena Subdivision of the Canadian National Railway which took over Grand Trunk in 1923. The station building was eventually moved to Prince Rupert and now stands on the waterfront where it serves as a museum.

 

The Kwinitsa Foreman’s Residence itself has also moved about a good deal in its history.   Built in the early 1940’s as a residence for railway employees, it was moved to Kwinitsa in the late 1940’s to serve as the Foreman’s Residence. The only known remaining residential railway structure in the Skeena Subdivision, the building is typical of vernacular railway woodframe architecture.

 

The residence was moved again, this time to Terrace, in 1972 and was used by CN for the next 30 years. CN moved it once again in 1995, to its current Terrace location, and built a new concrete foundation.  When CN moved its offices in 2002 and left the building vacant, Richard Rinaldi, the last CN employee to live in the residence, and his daughter, Chantal Meijer, saved it from demolition.

 

In 2005, the City of Terrace acquired the land and building as a park and historic site.  The former residence now stands at the start of the Grand Trunk Pathway, a “rails to trails” recreation corridor.

 

In 2006, city council established a community heritage register.  The Foreman’s Residence was deemed to have heritage value for the community.  A project to restore and rehabilitate the structure was begun, and funding secured, including a grant of $21,000 from the Heritage Legacy Fund.

 

Rehabilitation of the exterior included a new roof, soffit and facia.  The original large double hung windows were repaired and conserved. The exterior siding and wood trim was repaired and refinished in the original white and dark green colour scheme.

 

Inside, the wide-board fir flooring was repaired, stripped, sanded and refinished. Interior walls, casings and mouldings were repaired, reconstructed and painted in historic colours.  New front entry doors in a period style, to allow for commercial uses, were installed.

 

The rehabilitated Foreman’s Residence, with a new commercial tenant, has now entered another phase of its life, as a valuable community asset and heritage resource.  It is an attractive addition to the community’s parks program, and a symbol of community pride. 

 

 

Award of Honour – The BC Museum of Mining for:

The Rehabilitation of Concentrator No. 3

 

The twenty-story Concentrator, also known as Mill No. 3, at Britannia Beach, now part of the BC Museum of Mining, had been in decline for decades, and without a major intervention was facing demolition in the near future.  Despite its status as a National Historic Site, many in the community considered it an eyesore, offputting to visitors and residents alike.  Many were also of the opinion that there were insurmountable obstacles to rehabilitating the enormous industrial structure.  In the end, however, it has proved to be a stellar example of how a small organization can find the millions of dollars they need and bring in a major project on time and on budget.

 

The rehabilitation of the Concentrator building had three primary objectives:  to prepare the building for future improvements, to arrest deterioration from weather and acid rock drainage, and to improve the neglected appearance of the building, keeping in mind its industrial character and heritage qualities.

 

Actions required included repairing damage and deterioration to the concrete and structural steel elements; overlaying the building envelope with new cladding and a new roof; rehabilitating windows on the north side, and replacing windows on the west side.  A further step was to link existing perimeter concrete walls by adding new sections to prevent the penetration of acidic water into the building.

 

The condition of the exterior cladding ranged from fair to extremely poor to missing.  The majority of cladding was original and consisted of galvanized steel corrugated panels.

 

Most of the original cladding was retained as an interior finish and new exterior cladding was placed over it.  The new cladding, with a corrugated profile for historical consistency, was 22 gauge steel making it structurally rigid, and able to span great distances.

 

The museum staff became directly involved in window repair and replacement.  By having staff handle this phase of the project, windows could be removed, their condition assessed, the number of new sashes required determined, and reconditioning carried out, all on-site and in a timely manner.  In all, the museum crew rehabilitated 650 sashes and crafted 250 new ones in a period of five months.

 

The exterior roofing was largely asphalt shingles over two-inch tongue and groove decking with some areas of badly deteriorated corrugated galvanized metal.  While the metal needed to be stripped off, the majority of the wood decking appeared to be in very good condition, with perhaps five percent requiring complete replacement.  In some areas, the decking remained satisfactory, but the tongue had dislodged from the groove and the edge joints had failed, so a plan was put in place.

 

The new roof material was a corrugated galvanized roofing system installed over the existing roof through the innovation of “hat rack” strapping.  The new roof system used plywood for structural rigidity, membrane for waterproofing, with cladding on top.

 

Funding for the rehabilitation of Concentrator No 3 came primarily from three sources: one million dollars from the federal government, one million dollars from the provincial government, and three million dollars from industry and private donors including Hallbauer Family Foundation, Hunter Dickinson Inc, TeckCominco, Gold Corp and Ross Beaty.  The Windows on Howe Sound campaign had more than 350 contributors and raised $110,000 for the project.

 

The rehabilitation of Concentrator No. 3 was an enormous accomplishment for a small, non-profit organization.  It has taken the BC Museum of Mining into a new era.  It has also been a major boost for the community.  Until recently, Britannia Beach was in the doldrums, but now things are turning around.  It is safe to say that without the regeneration of the huge Concentrator, by far the largest and most visible community landmark, the successful regeneration of Britannia Beach could never have been accomplished.  The rejuvenation of this industrial structure has given back the community a sense of pride and positive identity.  

 

 

Award of Honour - Stantec Architecture & Pastoral Developments Ltd., for: the Monaco Project, Victoria

 

The Monaco, an adaptive re-use project to convert a 19th century commercial block in the heart of Victoria’s Old Town, is recognized for its attention to detail, high quality re-use of an important heritage building, and significant restoration of façade details to recapture its former grandeur.

 

The E.G. Prior Building at the corner of Government and Johnson Streets was built in 1882, with a later addition in 1902.  Its heritage value derives from its association with former Premier and Lieutenant Governor, E.G. Prior, and its prominent contribution to the physical fabric of Victoria’s Old Town.

 

Rehabilitation of the Prior Building as the “Monaco” by Pastoral Developments Ltd. involved a $3.4 million adaptive re-use to convert the upper floors to 18 new condominiums.  Moore Paterson Architects (now Stantec Architecture), under the direction of Tom Moore, supervised the complete seismic upgrading and rehabilitation of the façade.

 

A new addition on the roof included four penthouse suites to generate additional revenue to assist with costs of the restoration of some of the original features of the masonry façade.  Since the original wood windows had been replaced by aluminum units with reflective glazing in a previous renovation, new reproduction, single hung windows were carefully selected to recreate the former appearance.  The projecting brick pilasters were rebuilt above the roof line to recreate the historic appearance of the parapet, including the elaborate brick arch above the angled corner.

 

The Government Street façade had been heavily altered.  Window openings and brick masonry were restored to the original appearance.  The retail storefronts on the ground floor had also been altered in a previous renovation, but were retained in their existing configuration since restoration would have been prohibitively expensive.  A new colour scheme and awnings at street level unified the façade in a manner more sympathetic to its historic character.

 

The exterior phase of the project was assisted by $100,000 in grants from the Building Incentive Program of the Victoria Civic Heritage Trust, and a 10-year tax exemption under the City of Victoria Tax Incentive Program.

 

The interior suites are a very high quality contemporary design which utilizes the rich materials of the original construction, such as exposed brick walls and wood beams.  It also makes creative use of the diagonal steel braces required for the seismic upgrading by leaving them exposed in some of the suites.

 

The Monaco is a fine example of how good design, commercial investment, and community programs and policies can come together to give new life and purpose to an important heritage resource.

  

 

Award of Honour - The Ladysmith Maritime Society for:

The Ladysmith Maritime Museum

 

The Ladysmith Maritime Society is recognized for their many years of effort to conserve and promote the maritime history and heritage of their community.

 

Created as a port city in 1900 to ship coal from nearby Dunsmuir mines, the history of Ladysmith has always been tied closely to its seaside location.  The Maritime Society was formed to celebrate this historic legacy, and preserve its remnants.

 

Beginning with a bold plan to build a tall ship in anticipation of Expo 86, the newly-created maritime history society did not accomplish this first ambitious project, but did come out of the experience with 300 feet of docks on the local waterfront. 

 

Over the next few years, activities included a program of harbour tours.  With plans for a future museum, they began to collect artifacts and sea-related memorabilia.

 

The society was also involved with restoring vintage vessels, including the tug, “Saravan”, and, a 29-foot retired local ferry boat, “C.A. Kierkegaard”.  With government funds to supervise the training of shipwrights, the society was able to re-launch these vessels.

 

The society experimented quite successfully with an annual maritime festival.  This turned out to be too demanding for their volunteer group, however, and they now lend their efforts to support other major community events.

 

Continuing with their programs of tours, events, and gathering of artifacts and memorabilia, the next major step for the society was the opening of a “floating” museum on the docks.  Constructed with volunteer labour and funds from members, the museum houses the artifact collection and archives of the society.   The facility also allows for display in an appropriate context of the heritage vessels the society has restored over the years.

 

The museum received 600 visitors in its first summer season last year.  It has been enjoyed by residents and visiting boaters. School groups also took advantage of the museum and the harbour tours.

The Ladysmith Maritime Society is a fine example of a volunteer group effort to conserve an important part of community heritage and make it available for all to appreciate and enjoy.

  

 

Award of Honour - Second Street Community School, Burnaby, for:

The “Roots in the Community” Heritage Banners Project

  

“Roots in the Community” took shape from a project established by the Second Street Community School in 2002 which used the study of local history and heritage to develop neighbourhood pride and awareness.

 

The 2007 Heritage Banners Project developed the heritage theme with students in Grades four to seven.  Students studied local history and heritage and then selected fourteen sites, including many of East Burnaby’s heritage buildings and trees.  They then produced art work based on these sites and neighbourhood themes, creating fabric banners to be hung on local street lamps throughout the neighbourhood.

 

The students and teachers were successful in raising local awareness and pride in their neighbourhood and the City of Burnaby.  Several heritage sites not generally well known received a higher profile as a result of the project and now local area children have a better appreciation and knowledge of their history.  The City of Burnaby’s Community Heritage Commission was so impressed that they awarded the banner project the best Burnaby topic prize at the Historica Fair at Burnaby Village Museum in May of 2007. 

 

 

The Ruby Nobbs Award - Pixie McGeachie, of Burnaby

 

Pixie McGeachie is one of those community volunteers that has always championed a cause and worked quietly but with dedication to the task.  Pixie has given over 30 years of her skills to preserve, promote and celebrate the heritage and history of Burnaby and British Columbia.

 

A resident for over 60 years, Pixie was first drawn to the history of Burnaby while she was the editor of the Burnaby Examiner.  She developed a keen interest in writing about history, turning out columns and books through a successful career as an author.  She has written numerous articles and columns that appeared in local papers and publications as varied as the original Vancouver Book, Westworld and Pioneer News.  Pixie authored her first Burnaby book in 1974, titled “Bygones of Burnaby”, which was one of the first to relate anecdotal stories about pioneer life in the community.  In 1991, she was selected to author “Burnaby – A Proud Century”, which celebrated the City’s centennial the following year. In 2002, she wrote a biography of the city’s namesake:  Land of Promise:  Robert Burnaby’s Letters from Colonial B.C.”

 

Pixie also contributed many hours volunteering to establish Burnaby’s Heritage Village in 1971.  She has always been a force within the Burnaby Historical Society, serving as President from 1991 to 1993.  Pixie served a six-year term on Burnaby’s Community Heritage Commission and was successful in leading the charge to preserve many historic sites throughout the community.  During this time she never retired from the real hands-on work.  She served as the Community Archives volunteer archivist with the historical society for 20 years.  Because of her determination, she succeeded in gathering thousands of rare and valuable photographs and documents of the city’s history.  This archive was recently donated to the City Archives and now forms the core of the new Heritage Burnaby website’s photograph collection.

 

One of Pixie’s most valuable contributions was taking charge of Friends of Interurban 1223 just when the project to restore one of the last interurban trams needed a leader.  The project reached far into the community through working partnerships with a variety of businesses, collectors and other restoration groups.  The Friends volunteers contributed over 20,000 hours and generated over $550,000 in cash and in-kind support.  She saw this project through to completion with accolades and a Heritage BC award in 2006 for the tremendous community and volunteer commitment that Pixie was able to rally to the cause.  The City of Burnaby has recognized all of Pixie’s efforts with a special heritage award, and by honouring her with the Kushiro Cup as “Citizen of the Year” in 2002.

 

Pixie’s lifetime commitment and dedication to the heritage of British Columbia make her a most fitting recipient for the 2008 Ruby Nobbs Award.