Photographic
Demonstration of
|
Figure 5
|
Equipment Setup: Setup
#2 Observations: In Figure 5 we see examples of quantum leaps representing different velocities,as particles of different sizes are projected by the bullet. |
|
Figure 6
|
Equipment Setup:
Setup #2 |
Figure 7
|
Equipment
Setup:Setup #2 Bullet: .22 magnum Bullet Velocity: 2000 feet (609.6 m) per sec Objects Shown: 1/2" common nail with its head flattened before shooting. It was balanced on the point of a magnetized nail, then impacted by the bullet. |
Figure 8
|
Equipment
Setup: Setup #2 Bullet: .22 magnum Bullet Velocity: 2000 feet (609.6 m) per sec Objects Shown: Thumb-tack with the pin portion removed. Observations: We detect that the bullet has been mutilated, and that it carried its deformation throughout. We also detect, with the lower thumb tack, not only a twist in the trajectory, but also the scar left by the prior removal of the pin from the tack head. Furthermore, we see the black backdrop right through the air compression created by the leap. This compression can only be there because the air particles have themselves a moment of 1/64,000 of a second during which they can be photographed. |
Figure 9
|
Equipment
Setup: Setup #2 Bullet: .22 magnum Bullet Velocity: 2000 feet (609.6 m) per sec Objects Shown: Thumb-tack with the pin portion removed. Observations: We notice again the scar on the tack head, and also the near absence of air compression within the last leap. |
|
Figure 10
|
Equipment
Setup: Setup #2 Bullet: .22 magnum Bullet Velocity: 2000 feet (609.6 m) per sec Objects Shown: Small steel washer Observations: This photo illustrates the longest leap that we have been able to secure, by propelling a small steel washer hit by a heavy leaden bullet. The trajectory again indicates a twist, while the hole of the washer is clearly visible at the end of the leap. Had there been continuity in the motion of any of these objects, the track would have been as thick as that of the bullet itself. The black backdrop could not have been perceived through these tracks, and no defined characters could have been perceived anywhere at all. |